What was the last watch you bought?
I recently bought an early 1970s Nidor, a relatively unknown brand that disappeared a while ago. It has a long, narrow rectangular shape that wraps around the wrist and an angular bezel with four steps. The design reminds me of early modernist architecture, like a building from 20th-century New York. It has a sculptural quality that resonates with my taste and sensibilities.
Do you collect anything outside of watches?
I collect natural objects like rocks, eroded glass, and seashells — reminders of nature’s beauty over time and a source of inspiration. I also collect early 20th-century French furniture, particularly pieces by Charlotte Perriand, Jean Prouvé, and Pierre Jeanneret. I admire how they redefined furniture design by merging artisanal and industrial approaches to create objects that are innovative, pure, and timeless.
What, other than a watch, is at the top of your wish list?
I’ve become increasingly drawn to hand-blown glass, especially with my mother’s family roots in Venice, close to Murano. It’s new territory for me, but I find myself captivated by glass’s ability to freeze movement in time, while appearing fragile enough to shatter with a touch.
A recent find or discovery?
I recently came across the work of Jules Lobgeois, a French sculptor who combines wood and textured steel in ways that feel organic and fresh. His mix of materials and natural forms is quite inspiring.
What inspires you?
Inspiration can come from anywhere—beach stones, art, architecture, or even random books. For instance, I recently saw an exhibition at the Pompidou on Surrealism, which explored the creative potential of the unconscious mind. It reminded me of the power in combining elements that don’t intuitively fit together but create an unexpected energy when combined.
A book, podcast or album that changed the way you think?
In Praise of Shadows by Jun’ichirō Tanizaki had a big impact on my sense of aesthetics. The book reflects on the beauty of subtlety and imperfection in Japanese culture, celebrating dim lighting, natural materials, and the richness of shadows. Tanizaki contrasts this with Western ideals of brightness and symmetry, exploring how darkness and texture can create depth, mystery, and warmth. It sparked my appreciation for understated beauty and inspired my love for materials like lacquer, which age with character.
Charlotte Perriand & her work
Who is a celebrity or person of note/ intellectual you admire?
Charlotte Perriand, for her innovative spirit and her ability to draw from diverse influences.
What’s your ideal long weekend?
Returning to Paris, where I’m from, and spending the weekend exploring its streets, cafés, galleries, and restaurants.
What would we always find in your fridge?
Jalapeño peppers — I seem to add them to everything.
What’s a rule or mantra that you live by?
There’s a quote by André Gide: “one doesn’t discover new lands without consenting to lose sight of the shore for a long time.” I love the idea that to find anything new, you have to let go of conventions, even if it feels isolating at times.
What does the year ahead look like for you?
I’m looking forward to sharing Anoma’s vision with a wider audience and continuing creative projects that spark my curiosity and keep discovery at the heart of what I do.
Oracle Time